How did you
become
interested in
the arts?
My maternal grandfather was
a Luthier [someone who makes
or repairs musical
instruments] and his family
was par of a movement called Violas
de Queluz (Violas of Queluz). They
use to teach how to play
various instruments in front
of his house. That means I
always had a connection with
music I could never really
get involved, perhaps for
lack of focus. Some five
years ago, I began a project
with my friend Reginaldo
Córdoa here in Matão to work
as volunteer hospital
clowns. And from that we
developed the idea of
creating a choir.
How did you come about your
hospital clown project, Pazlhaçada?
A friend of mine, Lilian,
said there was someone else
interested in getting
involved. We began to talk
and the idea naturally
progressed. And that’s how Pazlhaçada began.
I started a partnership with
a true friend, Caio, who has
the sould of a clown! The
idea for this name [a
Portuguese language pun
mixing the words paz, or
peace, and palhaçada, which
derives from palhaço, or
clown] came from a message
from the Spirit of the
famous Brazilian clown,
Arrelia, in 2011. (Editor’s
note: – Click on https://www.youtube.com/watch?v=2UDCAidZw64 to
watch a presentation from
the group on 18/9/2016)
Tell us a bit more about
that experience.
My theatre teacher, Marcos,
always says that a clown is
not something we create. It
simply comes from inside us.
To be a hospital clown is an
experience that teaches us a
great deal. I will try to
sum up the experience here.
Through the colours and odd
combinations of his clothes,
the clown teaches us that
the differences can live
alongside each other in
harmony. To be a hospital is
a serious business! In a
hospital room we don’t
necessarily make people
laugh. Sometimes we are
there to hear, we hug each
other and most importantly
we respect the moment of the
other person, approaching
them only when they allow
us. Another important point
is that we begin to reflect
on our own lies, reviewing
our attitude and goals. We
often meet in those
circumstances people facing
the end of their corporeal
life and it is only natural
that we get to think. It is
like people began to review
their journey ad they
approached the end line.
That is why we face many
instances of happiness,
sadness, frustration,
rebellion and very
particular feelings that we
cannot or must not point
out. All we must do in those
situations is facilitate, if
possible, the occurrence of
moments of peace and
tranquility.
Tell us about the Frater
Choir.
What comes out first is its
name, Frater – brother in
Latin, of which fraternity
derives. In the choir we
learn that voices that are
dissonant in isolation
become harmonious when
directed by the maestro’s
baton. The possibility of
singing liberates innate and
repressed feelings that we
cannot even imagine: a joy,
an emotion and a kind of
satisfaction that we can
only express when we sing.
Music brings about important
values, such as discipline,
dedication, respect, the
capacity to overcome
challenges and humility.
Singing helps us overcome
our fears, depression,
anxiety. There are people in
our group facing those
feelings who found another
meaning for their lives
through the choir. No one of
us will probably become a
professional musician, but
we will certainly change and
become different people
through music.
How can you define Spiritist
art?
Léon Denis said in Spiritism
in the Arts that
Spiritism has come to open
new perspective to the arts,
limitless horizons.
Spiritist art is a tool for
education, not for
entertainment. We must look
at it as an excellent tool,
which is a subtle manner
manages to change the way we
see and act upon the world,
awakening important
perspectives in the
spectator. We must not
forget, by the way, that we
are the first spectators.
Elevated arts enable us to
educate our feelings and I
think that is the biggest
benefit it brings to us.
What is your assessment of
the impact of the arts in
your presentations and
talks?
The arts have a language
that is free of prejudices,
making it easier for us to
present the content in a
light and pleasant manner,
which is also easier to
understand. If we take that
into consideration we can
awaken in people feelings
that they had often
forgotten they had in them.
The arts can bring about
emotions on us and other
people. We often seen people
crying after listening to
music, or changing their
perspectives after hearing
an extract of a book or poem
they already knew. They
often look at the clown and
remember that simple things
can make us happy. It is
interesting how people react
to the arts, as our feelings
are so often muddled by the
adversities and problems of
life, by frustrations and by
the mere fact that we many
times feel we are useless.
Well, these moments the arts
provide will not give you a
better salary, a better job
or social status. They will
simply enable us to take on
a lonely journey inside
ourselves, a meeting with
ourselves.
What would you like to
highlight from your
experience in this area?
One of the great problems of
humankind is our problem
accepting others. Yes, to
accept other people as they
are, with their positive and
negative aspects. Through
the arts we can work on that
for the simple fact that we
must respect other people in
order to communicate with
them and achieve our goals.
Anything else you would like
to add?
Sing, dance, jump up and
down, smile, cry, charm
others, declaim poems out
loud and free the artist
that is inside each one of
us. Put yourselves forward
to life with the best thing
you have: you!