The psychographics of Divaldo Franco (7)

Could he be nominated for the Nobel Prize in Literature? 

(Part 1)

Explanation needed - Again, not sure what to expect books psychic repeat exactly, 100%, which a spirit manifested in life as a writer. Already clarified that all spirits are subject to the Law of Evolution and naturally acquired new ideas and tailor the time and space in which we live. Nonsense one would expect that a spirit remains exactly the same past decades or centuries, since all suffer changes, sometimes even overnight. But in cases of spirits writers is to be expected to remain characteristic nuances of the Spirit, because in these cases they are much more marked in them, corresponding to their own terms much of the evolutionary spirit. 

The spirit Rabindranath Tagore, Nobel Prize in Literature – The Spirit will begin to consider is that of Rabindranath Tagore. In life he studied English literature at London University. When he returned to India worked in newspapers and magazines, highlighting it as an inspired mystic, prolific poet, and has also written something in prose. He won the Nobel Prize for Literature in 1913 and, through Divaldo Franco, Tagore dictated three mediums lyrical works, edited by Ed Leal, BA, entitled: These, Filigree of Light and Free Birds, plus one in partnership with Spirit Marco Prisco (Moments of Renewal, also by Ed Leal/BA).

Tagore belonged to Modernism and Post Modernism poetry, where poets leave metrics or any rule of composition, allowing the poetry develops with loose and natural enchantment. One of the main works of writer Tagore was Gitanjâ Li (which means Lyric Offering). His hallmark was his utter lyricism, it was like his soul throbbed and expressed herself. This feature works remained in the psychic, all poetic. The preface of the book Spirit himself Tagore these was the medium psychographed Chico Xavier (1910-2002) in 1958, exclusively to compose the book saying the medium Divaldo Franco. Despite being an important factor in confirming the validity of the book These psychographic, Divaldo

just published this book in 1986, it was important that the book was accepted at face value and not by psychographed foreword by Chico. Made the comparison, we have very important data:

1) Initially, we note that the work presented 590 words Gitanjâ Li principal among verbs, adjectives, nouns, adverbs and many metaphors;

2) were found in the psychic work these (which means sensitivity), the Spirit Tagore, 320 words of 590 major Gitanjâ Li, representing a significant percentage of 54% of the outstanding matching words between the two works! The book this seems a continuation of Gitanjâ Li, the difference being that the book they are more developed, because while Gitanjâ Li had only 590 words striking, the book these had more than 1335 words posted (which practically corresponds to twice Gitanjâ Li).   

Comparison of numerical coincidences in nature of the words in the books Gitanjâ Li and Estesia – The coincidences add up to numerous metaphors and 320 words, namely:

28 Verbs

234 Nouns

Adjectives 45

Adverbs 13

With respect to metaphors, which are figures of speech or language, they consist of a comparison between two elements through its imagistic meanings. Didactically, we can consider it as a comparison that does not use the connective 'how', but presenting in a literal equivalence. Example: take the whole glass, instead of talking the entire drink that was in the cup.

The most significant statistic is not the words and verses (the number of verbs, adjectives, adverbs, metaphors, etc.), But the unmistakable lyricism of the poet, which was repeated with the same melody and inspiration.

Consider this: 

GITANJÂ LI, verse 68, written by Tagore when incarnate:

Thou art the sky and thou art the nest as well.

O thou, full of beauty is your love here in this nest, holds the soul with colors, sounds and scents

Here comes the night with the golden basket in her right hand bearing the wreath of beauty silently to crown the earth.

And here, on the lonely fields that herds left, arrives late for the trackless paths, bringing the ocean west of quiet drops fresh peace in her golden pitcher.

But here where the endless sky stretches for the soul lift him your flight, there reigns the splendor white and spotless. Then there is day or night, no way, neither is color, and you never hear, never a word. 

To compare with the psychic work, take the back of the verse LII, and especially noticed the same poet's lyricism, in addition to several coincidences of words:

Won by the anguish of my deep sorrow, I woke up when the young face in the morning light and adorned with gold hooks on the sea of travelers clouds, invited me to the banquet of the Day

Everything breathed perfume and light arms of the wind, carrying the pollen of life, singing in the branches of trees deli ¬ each song.

I left to run out, trying to escape from the dark cavern of my ailments.

The invisible presence of the Beloved I was burning with fever of anxiety, but the hours of light feet ran ahead requiring me fatigue and discomfort. . .

Intoxicated by their passions, my being was starving for peace.

Trying to get all the achievements, did not release me from the melancholy spiked dagger in the heart of the memories of your absence.

When later hid in the distant mountain peaks, exhausted and alone, again fell into myself. . .

Why, the mighty conqueror, not me dominated with strong features of your sovereign mercy, saving me from myself?

The night devoured the day, and to open her mouth wide black myriads of glittering stars formed the crown of victory full of light ...

Only then, solitary and meditative, I understood how my song of pain come to your ears and answered me in blazing vibrations of hope in the distance.

Home and wait.

Penetrates me, Songbook of silence, with your tunes, so that peace and full of sounds, I can give myself to your infinite power, in helping the outcasts of the world, which I myself also am. 

An analysis of grammatical and literary texts by Tagore – It appears that Tagore is very clear and expressed in its inspiration and lyricism in psychic work. They are on the back of LII these many metaphors and the words gold, sound, scent, lonely, late, infinite, day, night, which are in verse 68, Gitanjâ Li are also outlined on the back LII other words that are found in other verses Gitanjâ Li

Let us look at grammatical and literary verse 68 of the works of Tagore Li Gitanjâ when incarnate, and also verse book These Three of the Spirit Tagore, psychographed Divaldo by the medium:

It adopts the following caption:

(SUBST) to noun

(VERB) for verb

(ADJE) for adjective

(ADVER) to adverb

(METAF) to metaphor 

GITANJÂ LI, verse 68

Thou art the sky (SUBST) and art the nest as well.

O thou, full of beauty (SUBST) is your love (SUBST) that here in this nest, holds the soul (SUBST) with color (SUBST), sounds (SUBST) and perfumes (SUBST)

 Here dawn (SUBST) comes with the basket of gold (ADJE) on hand (SUBST) right (ADJE), bringing the garland (SUBST) (METAF) silently crown of beauty for the land (SUBST).

And here, on the lonely (ADJE) fields (SUBST) that the flocks have left the afternoon (ADVER) arrives by trackless (ADJE) paths (SUBST), bringing the ocean (SUBST) west of quiet drops (SUBST) fresh (ADJE ) peace (SUBST) in its golden pitcher.

But there where the sky (SUBST) infinity (ADJE) extends to the soul (SUBST) lift him your flight (SUBST), there reigns (VERB) splendor (SUBST) white (ADJE) and without blemishes. Then there are days (SUBST) or night (SUBST), no way, neither is color (SUBST), and never hear (VERB), never a single word (SUBST). 

Therefore, it identifies at least 33 key words in this verse 68, Gitanjâ Li and metaphor, which are:

1. SOUL (SUBST)

2. LOVE (SUBST)

3. BEAUTY (SUBST)

4. WHITE (ADJE)

5. PATHS (SUBST)

6. FIELDS (SUBST)

7. EWER (THAT MEANS BIG VASE) (SUBST)

8. SKY (SUBST)

9. COLOR (SUBST)

10. COLORS (SUBST)

11. DAY (SUBST)

12. RIGHT (ADJE)

13. SPLENDOR (SUBST)

14. FRESH (ADJE)

15. DROPS (SUBST)

16. SWAG (SUBST)

17. INFINITE (ADJE)

18. INVI (THAT MEAN impassable) (ADJE)

19. DAWN (SUBST)

20. HAND (SUBST)

21. NIGHT (SUBST)

22. OCEAN (SUBST)

23. GOLD (ADJE)

24. HEAR (VERB)

25. WORD (SUBST)

26. PEACE (SUBST)

27. FRAGRANCES (SUBST)

28. REIGN (VERB)

29. LONE (ADJE)

30. SONS (SUBST)

31. AFTERNOON (ADVER)

32. EARTH (SUBST)

33. FLY (SUBST))  

(METAF) Here comes the night with the golden basket in her right hand bearing the wreath of beauty for ...

Some of this vocabulary of Verse 68, Gitanjâ Li is found in verses XLV, XLIX, L, LII, LIII etc. Book Estesia

Regarding mediumistic work, we repeat, the first thing to highlight is the unmistakable lyricism of Tagore but also do a grammatical and literary analysis:

Won by the anguish of my deep sorrow, I woke up when the young face in the morning light and adorned with gold frames (SUBST) in the sea of travelers clouds, invited me to the banquet of the day (SUBST) (METAF).

Everything breathed fragrance (SUBST) arms and light wind (METAF) carrying pollen of life, singing in the branches of trees delicate song.

I left to run out trying to flee the dark cavern of my ailments. (METAF)

The invisible presence of the Beloved I was burning with fever of anxiety (METAF), while the light feet ran hours ahead of me imposing fatigue and discomfort. .

Drunk by the passions (METAF), my being was starving for peace (METAF).

Trying to get all the achievements, did not release me from the melancholy spiked dagger in the heart of the memories of your absence (METAF).

When the afternoon (ADVER) hid in the distant mountain peaks (METAF), exhausted and alone, again fell into myself. . .

Why, the mighty conqueror, not me dominated with strong features of your sovereign mercy, saving me from myself?

Nightlife (SUBST) devoured the day (SUBST) (METAF), and to open her mouth wide black (METAF), myriads of glittering stars formed the crown of victory total light...

Only then, solitary (ADJET) and meditation, I realized how my song come pain in your ears and I answered in vibrations of hope shining in the distance.

Home and wait.

Penetrates me, Songbook of silence, with your tunes, so that lots of sounds (SUBST) and peace, I can give myself to your infinite (ADJET) able, in helping the outcasts of the world, which I also own am.

The metaphors found in the text psychographed by Divaldo – Are at least fourteen metaphors found in this verse of the book these:

- Woke up when the young face in the morning light and adorned with gold couplings (METAF)

- In the sea of travelers clouds (METAF);

- Invited me to the banquet of the day (METAF);

- Everything breathed light perfume (METAF);

- The arms of the wind (METAF);

- I left to run out trying to flee the dark cavern of my sufferings (METAF);

- The invisible presence of the Beloved I was burning with fever of anxiety (METAF);

- While the hours of light feet ran ahead requiring me fatigue and discomfort (METAF);

- Drunk passions (METAF);

- My being was starving for peace (METAF);

- could not release me from the melancholy spiked dagger in the heart of the memories of your absence (METAF);

- When the afternoon (ADVER) hid in the distant mountain peaks (METAF);

- The night devoured the day (METAF);

- To open her mouth wide black (refers to the night) (METAF). 

This study is very revealing and provides indisputable evidence. Of course metaphors are figures of speech that they use easily, and consider that their number is much higher than in the book than in the psychic work of the writer.

(In the next article we conclude our analysis of the works of Rabindranath Tagore.)